Chapter VIII. Vratas of Haritālikā, Ganeshacaturthī, Rishipanchamī, Anantachaturdashī

Volume V: Part I pp. 144–153

This chapter from P.V. Kane's monumental 'History of Dharmaśāstra' is dedicated to an exhaustive examination of *vratas*, which represent a pivotal category of religious observances within the Hindu tradition. The Dharmaśāstra literature provides extensive injunctions and intricate details regarding these practices, underscoring their profound significance in ritual, ethical, and devotional life across various strata of society. Specifically, this chapter offers a meticulously researched exposition on four prominent *vratas*: Haritālikā, Gaṇeśacaturthī, Ṛṣipañcamī, and Anantacaturdaśī. Kane's characteristic scholarship meticulously explores the scriptural foundations, procedural intricacies, and cultural relevance of each of these important observances. The comprehensive treatment provides an authoritative account, elucidating the systematic approach to such religious disciplines within the expansive Dharmaśāstric framework, thus offering invaluable insights into their historical evolution and contemporary practice.

— Synopsis by P.V. Kane, from History of Dharmaśāstra

## Hemādri
on Vrata , 105n-107, 153n-4n, 156n-7n, 183n-5, 6n, 745n-46, (speaks of some mudrās), on Kāla , 78n-8n, 137n-8n, 201n-3n, 243n-50n, 663n-5n, 67274; on śrāddha , on Dāna
Agnipurāņa
(chapters of, on Śānti), (examples of three kinds of utpātas), (three best śāntis are Amṛta
Ahalyākāmadhenu
Anantacaturdaśī-vrata
Annals of Bhandarkar Oriental Institute; 3
(on a modern Siddha Śivayogin ), (on Bhavadāsa ), (on Gītā .4 ), (present author's paper on ‘Brief sketch of the PMS’), (pre-sent author's paper ‘Pūrva-mīmāṁsā’), (Śaṅkha-dharmasūtra )
Ayyangar
(conflict of interpretation about
Bengal nor in Gujarat
procedure of ; procedure of, is different in Narasiṃhapurāṇa ; proper time for performance is mid-day ; ten names of Gaṇeśa ; tithi 4th on which
Bhaviṣyapurāṇa
(on śāntis), (part discarded by Ballālasena because tainted with heretical doctrines), (divides smṛti contents into five categories); divided into four parvans of which only the first viz. Brāhma can claim an early date, the
Bhaviṣyottara Purāṇa; 40
held not authoritative by
Bible in Europe for about 1400 years 482
his arguments in favour of Astrology ; his Tetrabiblos remained supreme for years and has even now great authority for believers in Astrology ; held geocentric theory and so had to adopt theory of eccentric orbits and epicycles and yet could predict eclipses correctly, is concerned in Tetrabiblos with rāśis (signs of the Zodiac) and rarely, if at all, with nakṣatras ; in his ‘Geography of India’ (about A. D.) refers to Ptolemaios, king of Baithan (Paithan) as ruler in his day ; much of Greek literature on astronomy and astrology disappeared owing to works of P. , speaks of male and female signs and of sthira and dvideha as Brhajjatake does ; several discrepancies in essential matters between Ptolemy’s work and Hindu astronomical works , two points in which Varāhamihira differs from P. viz he does not mention the countries governed by rāśis but by nakṣatras and Varāha confines himself to parts of Bhāratavarṣa, while P. deals with all countries then known, wrote about A. D. and based his Almagest on the observations of Hipparchus
Brahma-vaivarta; mantra is Rg. II.. 1 (‘Gaṇānām tvā’ &c. addressed to Brahmaṇaspati); not observed in
Brahmavaivarta-purāṇa ( note on
), printed in Ānan. Press, Poona, in four kāṇḍas, viz. Brāhma, Prakṛti, Gaṇapati and Kṛṣṇajanma; several verses q. in Sm. C., Hemādri as from it are not found in the printed one
Brahmāṇḍa-Purāṇa (vide note on pp. 895–96); 90n
(on Kalpas of Atharvaveda), (many verses identical with those of Vāyu ), (on period between Parikṣit and Nanda), ( Saptārṣis mantra ), ( three kinds of bhakti ), (list of Avatāras–different from usual one), ( Lalitāmāhātmya of ), ( has verses that are also found quoted by Śabara ), ( for word ‘ sanātana-dharma ), compiled or revised about A. D. ; probably com-posed near the source of the Godāvarī, divided into four pādas besides Lalitopā-khyāna ; is fond of etymo-logies, one of the oldest of Purāṇas, has hundreds of verses in common with Vāyu ; Skanda says there was first only one Purāṇa, viz. Brahmāṇḍa
Bṛhat-saṃhitā of Varāhamihira
(on units of time from kṣaṇa to kalpa), (praise of
Chintamani
Prof. T. R. , (agrees with Prof. Nīlakaṇṭa Sastrī that there were three Jaiminīs)
Gaṇapatyatharvaśīrṣa
Gaṇapatyatharvaśīrṣa 149; if 4th of Bhādrapada-śukla falls on a Sunday or Tuesday it is called ‘Great’ (Mahatī) 146 and also śukha if on Tuesday 148; in modern times a clay image of Gaṇeśa
beautifully painted, is worshipped ; image of Gaṇeśa is immersed in water after a procession ; legends about Gaṇeśa in
Gaṇeśacaturthī—vrata-; also called Varadacaturthī in
Haritālikāvrata
brief procedure.of, for women alone, not found in Hemādri on vrata or in Kṛtyakalpa-taru ; not prevalent in Bengal or Gujarat ; observed on 3rd of Bhādrapada bright half ; Rājamārtaṇḍa has four verses on it, saṁkalpa in ; to be performed on 3rd mixed with 4th tithi (and not with 2nd) provided 3rd exists at least for two ghaṭikās from sunrise ; various mantras repeated in ; very much in vogue among Mahārāṣṭra women ; why it is so-called is difficult to explain
History of Dharmaśāstra : Vol. I
on pp , vol. II on pp. , 31n-33n, 218n-9n, 674n-5n. , . , 1096n-97, 1217n-18, ( for Madhuparka ), ( for Sautrāmaṇi ), ( Upanayana for women ), ( marrying a maternal uncle's daughter and gift or sale of horses ), ( distinction between *yāga*
Hārita
Smṛti of, (in prose), (prose)
Indian Antiquary (Journal): 94
(grant of A. D. containing predictions of matters that came to be true)
Keltic 1107 ; sleep inducing S. (Rg. VII. 53. 5-8) interpreted by western scholars as a lover's charm for a clandestine meeting
which is not acceptable ; woman's S. against her co-wife in Rg. X. .
Kālanirṇaya 54n
77n-8n, 105n-107, 227n-230, 243n-5n
Kṛtyakalpataru (1110-30 A. D.)
115n-6n, (quoting Devaladharma-sūtra), 1417n-18n, 1446n-48n, the editor of
Kṛtyaratnākara 30
213n-216n, 246n-249n, begins with Vāravratas
Kṛṣṇa 152; brief description of
from Agnipuraṇa ; celebrated on 14th of Bhādrapadaśukla ; consists mainly in the worship of Hari as Ananta and in wearing on the right hand of men and left hand of women a holy strap of thread dyed with saffron, made of cotton or silk ; description of, in Hemādri ; description of, in Vratārka ; doraka dyed with saffron and knots ; not mentioned in K. K. V. (ou vrata ), salt forbidden in this vrata ; varying views of eminent writers about the exact time and tithi for this when third is mixed with another tithi
Marriage
(vide Candrabala, child marriage Restraint Act, Gorajas, Gurvāditya, Kūṭas, Simhastha, Tārābala); anuloma marriages allowed by most Smṛtis but medieval writers changed all that by Kalivarjya ; auspicious ages for the marriage of maidens and of bridegrooms ; auspicious times, months and nakṣatras for, auspicious nakṣatras for M., different views on, calculation on tallying the horoscopes of both bride and bridegroom in regard to eight matters, called 'ghāṭita-guṇa-vicāra' or 'vadhū-vara-melaka-vicāra' ; Cantrabala and Tārābala in M. ; comparative astrological strength of tithi, week-day, nakṣatra, Sun, Moon in m. ; great importance of gaṇa and nāḍī among brāhmaṇas even now, intricate astrological rules for, Jupiter, auspicious and inauspicious positions of, in m. ; Moon, importance of the auspicious position of, in m. ; not disapproved in simhastha Guru when performed north of the Ganges and South of the Godāvari ; proper lagna rāśis at time of m. ; Rājamārtanda devotes verses to astrological requirements of m. ; Ṛgveda X. is marriage hymn, rule of 'godhūli' or gorajas muhūrta in m. ; rules about simhastha Guru observed even now ; rules about the sameness of rāśi or nakṣatra of bride and bridegroom in m. ; Śaiva marriage acc. to Mahānirvāṇatantra in which no question of caste arises ; Śanti for inauspiciousness of Jupiter ; tithis proper and inauspicious for m. ; usages of countries to be followed about month proper for m. ; Venus, position of, in m. ; week days proper for m. ; when a maiden is very grown -up, no waiting for an auspicious time but one should consider only the lagna and the moon's position at m. ; Yama and Yami dialogue (Ṛg. X. ) wrongly considered by some Western scholars as referring to marriage of brother and sister ; ban against intercaste marriages removed by legislation .; futile legislation as to dowry in m. . Mars, statements about position of, in Mahābhārata are irreconcilable . Marshall, Sir John, editor of three volumes on Sanchi n; a. of 'Taxila' (three vol.,) and Guide to Taxila Martin E. W. editor of 'In Search of Faith', a symposium by several writers , . Marx: meaning of 'I am not a marxist' . Maskarin, means (a wandering ascetic), acc. to Pāṇini and Mahābhāṣya . Mātharavṛtti, com. on Sāṅkhya-kārikā not later than A. D., furnishes names of Sāṅkhya teachers between Pañcaśikha and Īśvarakṛṣṇa ; on the same Saṣṭi-tantra
Mukerji R. C. a. of 'Ancient Indian fasts and feasts' 60
Mādhavācārya
a. of Kālanirṇaya, a. of com.on Sūtasamhita, a. of Jaiminīnyāyāyamālāvistāra
Narasimha (or Nṛsimha) Purāṇa
Aparārka quotes it 9 times and only about verses, half of which deal with Sannyāsa; composed solely for the glorification of
Nirṇayasindhu (written in 1612 A. D.)
41n-43, 47n-50n, 153n-4n, 161n-2n, 196n-199n, 203n-5n, 207n-8n, 218n-9n, 243n-4, 246n-7n, 607n-8n, 664n-5n, 765n-6n, (times for dīkṣā )
Pāṇini
5, (knew Naṭasūtras of Śīlālin and Kṛśāśva), (explains ‘Mīmāṁsate’), (mentions Kāśyapa to show respect), (charge that Pāṇini violates his own rules), (distinguishes between the author of a work and expositor or tran-mitter of it), (does not observe his own rules), called Śālāturiya by Bhāmaha and other medieval writers ; date of, hailed from Northwest India ; in P.'s times there were mendicant ascetics (bhikṣus) who studied the Bhikṣusūtra of Parāśarya and that of Karmāṇḍa and were called 'Pārāśariṇo bhikṣavaḥ' . ; names of countries and places expressly mentioned by P. ; papers on geographical details in, teaches formation of words like Takṣaśila ; was acquainted with the whole of India from the extreme northwest of India to Kalinga ( Orissa ), Āśmaka ( country near Ajaṇṭā and Paithan) and modern Kutch , (Sindhu as the name of a country ), (word jāti occurs ), ( on Brāhma-ṇaka ), (names at least ten predecessors and shows that before him there was considerable secular litera-ture ). of teachers ending in 'Ānanda', speaks of three mārgas (paths) viz. Dakṣiṇa, Vāma, Uttara, speaks of jīvanmukti and quotes Upaniṣads ; (well known verse 'pitvā pitvā ' etc. esoterically explained )
Romaka-siddhānta; (vide under Śrīṣena); Dīkṣit contends that the R. summarised in Pañcasiddhāntikā is different from the work of Śrīṣena and was composed before
Rājamārtaṇḍa of Bhoja (on astrology and dharmasastra topics) 46
90n–91, 212n–3n, ( verses on Upana yana), 608n–9n, mentions only vratas , quoted by V. K. K.
Rṣipaňcami-vrata: (vide ‘Seven sages’) : 149–151; meant for all
but now practised mostly by women ; number seven important in, object was to remove all sins and troubles of three kinds and ridding women of contacts during monthly illness ; performed on 5th of Bhādrapada bright half (mixed with 4th and not with 6th tithi); performer not to eat anything in this vrata produced on land plowed by oxen or watered by the labour of oxen ; procedure of ; Saňkalpa in ; seven sages and Arundhati worshipped in, worship of sages is performed with Ṛgveda mantras
S. accepts continous existene of the soul; Ślokavārtika devotesverses to this subject and the Tantravārtika also briefly deals with it
S. M. 145; antiquity of Gaṇeśa worship
explanations about Gaṇeśa’s elephant-head and mouse as conveyance are phantastic ; form of Gaṇeśa to be contemplated upon, in, if one sees the moon on night of 4th of Bhādrapada śukla he may be falsely accused of theft and should repeat the verse ‘siṃhaḥ prasanam’ over some water, drink the water and listen to story of
Seven sages (Ursa Major) : cons-tellation of
was in Maghā nakṣatra when Yudhiṣṭhira ruled and stayed in one nak-ṣatra for a hundred years, acc. to Vāyu and Br. S. ; enu-merated in Br. S. ; in-voked with Ṛgveda mantras ; Pulaha and Pulastya are two of them ; wor-shipped in Ṛṣipañcamīvrata
Smṛtikaustubha 81n
Syāmāntaka jewel
identified with brahma in
Tithitattya 53
136n-8, 165n-167n
Varāhamihira: (a. of Bṛhat-saṁhitā
Bṛhaj-jātaka, Yogayātrā, Bṛhadyogayātrā, Pañca-siddhāntikā, Laghujātaka, Ṭik-kanikā, and a few other works not yet published), (follows Gārgya on motion of Saptarṣis), (names many predecessors on astrology), (theory that a horoscope was like a plan), (importance of usages of common people), (on Āryabhaṭa's view about earth revolving round itself); date of (about A. D.) , (mentions authors of Vāstusāstra and image making; did not follow Firmicus or Manilius on Dreṣkāṇas , differences of, with Ptolemy, and n, (with Yavanēsvara), (on lords of the horās of the day), frequently refers to the views of Yavanas and in some matters differs from them ; probably identical with Buzurmihr, a minister of Nowshirwan of Persia
Varāhapurāṇa: 31n
(mentions Bhaviṣya), (on pūrta), date of, earlier than 10th century A. D. ; has some chapters in prose and some in prose and verse ; note on ; refers to a Śaka king called Nandavardhana ; supposed to have been narrated to the Earth by Viṣṇu in Boar incarnation, Vyāsa does not appear in this P., though Sūta figures in the beginning of several chapters
Varṣakriyākaumudī: 31n
54n-5n, 72n-81n. 83n-5n, 176n-178n, 180n-182n, . , 207n8n, 212n-215n, 220n-22n
Viṣṇu: (vide under Avatāras
Śāstras): appears to be a name of the Sun in the Ṛgveda and came to be regarded as Highest God in Brāhmaṇa times ; Bhaviṣyapurāṇa says that V. begins to sleep in the first quarter of Anurādhā nakṣatra, turns on another side in the middle of Śrāvaṇa and wakes up in the last quarter of Revati ; day of, is equal to whole life of Brahmā ; different tithis (11th, 12th, 15th) for Viṣṇu's going to sleep in different authorities ; deluded people and asuras by producing Māyāmoha from his body that led them away from the Vedic path ; how śayana (sleeping) and prabodha (awakening) of V. are to be celebrated, identified with sacrifice (yajña) ; Meghadūta and Vanaparva mention the sleeping of Viṣṇu on the snake Śeṣa and waking up , one thousand eight names of V. set out in Anuśāsana parva, chap. and Garuḍapurāṇa I. . 1–160, possible explanations of sleep of Viṣṇu for four months ; steps called V. in sacrifices ; was supposed to go to sleep on night of 11th of Āṣāḍha bright half and to awake in the day on 11th of Kārtika bright half , was supposed to turn from one side to the other in his sleep on Bhādrapada bright half 11th tithi (which was therefore called Parivartinī ; worship of V. in three different ways, Vaidika, Tantrika or Miśra ; worship of, in six mediums , worship of, may be performed on Śālāgrāma stone, on a jewel, yantra, maṇḍala, image, or in a temple, acc. to Padmapurāṇa
Viṣṇupurāṇa: 79n
( mentions Garga ), ( a verse of V. quoted as
Vratarāja 34
Vratārka 30n
Vṛddhi-śrāddha 31-32; Pratinidhi (representative) such as son or wife may perform V. for one unable personally to perform owing to disease
accident etc. , Rajamārtaṇḍa, the earliest extant nibandha so far known, is work on V. ; rite that concludes a vrata is called Udyāpana, pāraṇa or pāraṇā ; rule of Hārīta, that in every v. in which worship enters midday is the proper time
Śiva
Ardhanarīśvara form of, (known to Kālidāsa); created sesame on Makara-saṅkrānti ; thousand names of, in Anusāsana (. ) and Śānti (. 74ff) and in Śiva-purāṇa , twelve names of, when offering flowers ; twelve Jyotir-liṅgas of
Śiva 148; twenty-one dūrvā tendrils and 21 modakas are offered in
when Gaṇeśa, is worshipped on Māgha-śukla 4, that tithi is called Śānta, when caturthī is mixed with 3rd or 5th tithi, then Caturthī mixed with 3rd is to be preferred, if it exists at midday, worship of Gaṇeśa in modern times lasts two, five, or seven days or till Anantacaturdaśī, according to usages and tastes of people
Ṛgveda (vide God
Veda): 2-22, . , 726n-28n, 737n-39n, (mystic words and spells in), (Ṛg. V. . 4 deemed to refer to Kādividyā), (Ṛg. verses q. in Kularṇavatantra), (Ṛg. IV. . 5 ('Hamsaḥ' etc.) to be recited over wine and other tattvas in

Mīmāṁsā Nyāyas

अनुवृष्टिविषयत्व
जै. VI. 5. 1-9
देहळीदीपन्याया
द्वविंहोम्न्याय
विश्वजिन्न्याय
जै. IV. 3. 15-16
सर्वं स्याद्भूतत्वात्

Chapter VIII. Vratas of Haritālikā, Ganeshacaturthī, Rishipanchamī, Anantachaturdashī

Vratas of Haritālikā, Gaṇeśacaturthī, Ṛṣipañcamī, Anantacaturdaśī.

On the 3rd tithi of the bright half of Bhādrapada occurs the Haritālikāvrata for women alone. This vrata is not found in the Kṛtyakalpataru on vrata or in Hemādri. It is described only in the later medieval digests like the Nirṇayasindhu (p.133), Vratārka (folios 44 b-49 b), Vratarāja (pp. 103-110) and Ahalyākāmadhenu (folios 282-295). It may, however, be noted that the Rājamārtaṇḍa of Bhoja (first half of 11th century A.D.) devotes four verses to Haritālicaturthī on Bhādrapada 4th of bright half and says it is dear to Pārvati (two of them are quoted in note).1 It is very much in vogue among Mahārāṣṭra womeṇ The following is a brief descriptioṇ The woman should take an oil and myrobalan paste bath and wear fine silken clotheṣ After referring to the tithi &c the woman should make saṅkalpa as noted below.2 She should bow to Umā and Śiva; she should offer worship to Umā by means of the 16 upacāras with appropriate mantras such as āvāhana (invoking to be present), āsana (seat), pādya, arghya &c. After offering flowers the per- former should carry out worship of the limbs of Umā from the feet in the form ‘bow to Umā, I worship her feet’ to the heaḍ Then she should offer incense, lamp, naivedya, ācamanīya, fragrant substances like camphor and sandalwood for rubbing on the hands, betelnut, tāmbūla, dakṣinā, ornaments, nīrājana (waving of a lamp). She should then offer worship to the several names of Umā (such as Gaurī, Pārvati &c.) and the several names of Śiva (such as Hara, Mahādeva, Śambhu &c.) and present a handful of flowers, and go round (pradakṣiṇā) the images of Umā and Maheśvara, make with an appropriate mantra in each case an obeisance3 and a prayer and donate presents placed in vessels of wickerwork together with auspicious substanceṣ This vrata is not prevalent in Bengal nor in Gujarat. It is provided by Mādhava that4 if the third is mixed up with the 2nd tithi and the 4th tithi, the vrata is to be performed on the later day, provided the third tithi exists at least for a muhūrta (two ghatikas) and then 4th tithi followṣ In modern times women purchase coloured clay images of Pārvatī, of Śivalinga and a friend of Pārvatī and worship theṃ It is difficult to say why the vrata is called Haritālikā. The Vratarāja5 (p. 108) says it is vratarāja (the prince among vratas) and was so called because Pārvatī was taken away (from home) by her friendṣ The Vratarāja contains a story said to have been narrated by Śiva himself to Pārvatī about the vrata by performing which she secured him as her husband and also the position of being half of Śiva's body. The Varāhapurāṇa (chap. 22) contains a long narrative about the marriage of Gaurī with Śiva. On the 4th of the bright half of Bhādrapada is observed the festival of Gaṇeśacaturthī in many parts of India (though not in Bengal or Gujarat). According to the Samayamayūkha,6 Gaṇeśacaturthī is also called Varadacaturthī. The proper time for the performance is mid-day, as said by Bṛhaspati7 quoted in the Kālanirṇaya. When Caturthī-tithi is mixed up with the ever knows this story about the clearance of Krsna from a false charge would not be liable to have a false charge made against him by any one The Tithitattva8 provides that if a man inadvertently sees the moon on the night of the 4th in Bhādra (śukla) he should repeat the verse of the nurse quoted above over some water, drink it and should listen to the story of the Syāmantaka jewel

When Gaṇeśa is worshipped on Bhādra 4th of bright half, that tithi is called, according to Bhavisya, Śiva, when Gaṇeśa is honoured on Māgha-śukla 4 it is called Śāntā, and when on the 4th of the bright half the weekday is Tuesday that caturthī is called Sukha. The three9 are respectively described in Hemādri (vrata) vol. I pp. 512–513, pp 513–514 and pp 515–519.

In modern times the worship of Gaṇeśa lasts for one day and a half, for two days, 5 days, 7 days or till Anantacaturdaśī (14th of bright half of Bhādra), according to the usages of the people, their inclinations and their tastes The image is then immersed in a well, tank or in the sea in a great procession In certain parts of the Deccan and among common people it is customary to perform Gaurīpūjā on 7th and 8th of Bhādrapada-śukla and immerse Gaurī (represented by a sheaf of plants) and Gaṇeśa image on the same day and at the same time on 9th.

Gaṇeśa is the most popular god in these days and it is the practice to invoke him at the beginning of every important undertaking or rite He is the God of wisdom, the presiding deity of literature, the bestower of success and the destroyer of obstacles

About the antiquity of Gaṇeśa worship and of images of Gaṇeśa a good deal has been said in H. of Dh vol II. pp 213–216 and 725 A few matters not mentioned there may be set out here The Brahmavaivarta-purāṇa has a section called Gaṇeśa-khanda (in 46 chapters), wherein several legends about Gaṇeśa are dwelt upoṇ The Gaṇapatyatharvaśīrṣa10, imitating the style of such ancient Upanisads as the Taittirīya, Bṛhadāraṇyaka and Chāndogya, identifies Ganapati with the Highest Brahma. The Ahalyākāmadhenu quotes passages from Bhavisyottara-purāṇa on Gaņeśacaturthi In I. A. vol 35 p. 60 an archaeological and mystic explanation is offered about the mouse being the conveyance of Gaņeśa and his elephant head, which is fantastic and hardly convincing. Several legends are told about Gaņeśa, his elephant head, his single tusk Vide Mukerji p 9 One of the most fantastic is the one in the Varāha- purāṇa (chap 23) where it is said that from the laugh of Śiva sprang a very handsome boy whom Pārvati looked at with admiring eyes when Śiva's jealousy was roused and he cursed the boy to be elephant-headed and pot-bellied and then be relented and made him the chief of all Vināyakaṣ

The Krtyakalpataru (on vrata) pp. 84-87 quotes a passage from the Narasimha-purāṇa11 (chap 26. 2–20) about Gaņeśa- caturthi-vrata, which also occurs among several vratas about Gaņeśa set out in Hemādri (on vrata vol. I pp 510–512) It differs considerably from the celebration as described above. A few important points are stated here Gaņeśa is described as having one, two or four tusks and as having four armṣ It is further stated that Gaņeśa causes obstacles (vighna) if not worshipped at the beginning of every undertaking. Gaņeśa assumed the form of an elephant for effecting the purposes of gods and thereby frightened all dānavaṣ

On the 5th tithi of the bright half of Bhādrapada occurs the Rsipaňcami-vrata. It was meant for men of all varņas but is now mostly practised by womeṇ Hemādri (on vrata, vol. I, pp 568–572) describes the vrata at length quoting from the Brahmāņda-purāṇa. One should, after bathing in a river or the like and after performing his daily duties, repair to his agnihotra shed, should bathe with Paňcamṛta the images of the seven sages and, anointing them with sandalwood paste and camphor, worship them with flowers, fragrant substances, incense, lamp, white clothes and yajňopavitas and sumptuous naivedya and offer them arghya350 with the mantra noted below. One should, when engaged in this vrata, subsist on vegetables alone and observe celibacy. The result is freedom from all sins and from troubles of three kinds351 and the increase of one's good fortune. If a woman performs this vrata she enjoys happiness, becomes endowed with good bodily form, beauty and sons and grandsonṣ Later medieval digests like the Vratarka (folio 90), Vratarāja (pp. 200–206) add details and a story from Bhavisyo- ttara narrated to Yudhisthira by Krsna. The sin of Brahmahatyā (brāhmaṇa-murder), of which Indra became guilty by killing Vṛtra, son of Tvastṛ, was distributed in four places viz in Agni (the first flames mixed with smoke), rivers (turbid in the rains), mountains (on which trees exuding sticky gum grow) and among women (in their monthly illness). Therefore this vrata should be performed particularly by women for getting rid of the sin of contact during their monthly illnesṣ The sankalpa is given below 351a Another detail is that the seven sages together with Arundhati are to be worshipped It is further provided that one should subsist on vegetables352 or nīvāras or śyāmāka grains or bulbous roots or fruits and should not eat anything produced by ploughing the land Even in these days those who perform this vrata do not eat corn produced by employing oxeṇ In modern times if men perform the vrata the priest invokes for them seven sages with Vedic mantras viz. Rg. IX 114. 2 (for Kasyapa), Rg V. 78. 4 (for Atri), Rg. VI 25 9 (for Bharadvāja), Rg. X. 167. 4 (for Viśvāmitra), Rg. I. 78. 1 (for Gotama), Rg. III. 62. 18 (for Jamadagni), Rg VII. 33. 11 (for Vasiṣṭha). The mantra for Arundhati is quoted below16 In this vrata the number seven is important. The vrata is to be performed for seven years, there are to be seven jars, seven brāhmaṇas were to be invited to whom finally the images (made of gold or silver) of the seven sages were to be donated If all the images were placed in one kalaśa, then the jar with the images was to be donated to one brāhmaṇa and the others were to be given kalaśas with clothes and daksinā.

If pañcami is mixed up with the 4th tithi and the 6th tithi, one must perform the Rsīpañcami vrata on the 5th mixed with the 4th (pūrvaviddhā) and not on 5th mixed with 6th, in accord-ance with the Yugmavākya quoted above (n 191) Besides, Hārīta expressly17 prohibits the acceptance of the 5th mixed with the 6th in the words (5th tithi mixed with the 4th should be accepted and not the 5th joined to the 6th, both in the bright and dark halves and in rites for the gods and pitrs). But there is the most important rule laid down by Hārīta himself that in all vratas comprising worship the tithi to be selected is the one that covers mid-day.18 Supposing that the 5th tithi does not cover mid-day when joined with 4th, but covers mid-day when joined with 6th, the latter (paraviddhā) would have to be choseṇ Hemādri would hold this latter view, while Mādhava holds that everywhere 5th which is pūrvaviddhā is to be accepteḍ Hence there is diver-gence of view among the great writerṣ

It appears that originally the Rsīpañcami-vrata was meant for the removal of sins for all, but later on it came to be specially provided for women; but it is not observed in Saurāstra

On the 14th of the bright half of Bhādrapada is celebrated the Anantacaturdaśī-vrata. It does not appear in the Kṛtya-kalpataru (on vratas).

It consists chiefly in the worship of Hari as Ananta and in wearing on the right hand in the case of men and on the left in the case of women a holy strap of thread dyed with saffron or silk twisted into fourteen knotṣ It is an individual pūjā and not a festival of a socio-religious character. The Agnipurāṇa (chap. 192, verses 7-10) gives a brief description as followṣ On the 14th of the bright half one should worship the image of Ananta (Hari) which is made of darbha grass placed in a vessel for water (a jar). He should get ready flour of a prastha of paddy and make cakes from that, half of which should be donated to a brāhmaṇa and the remaining half he should use for himself. One should perform this vrata on the bank of a river and listen to stories about Hari and (pray to Hari) as follows—19 O Vāsudeva! save (people) sunk in the great and endless ocean of saṁsāra and make them apply themselves to the contemplation of the form of Ananta, salutation to thee that hast numerous forms! Having worshipped (Hari) with this mantra and having tied on one’s arm or round one’s neck a string of threads over which a mantra has been uttered, the person who performs the Anantavrata becomes happy. If Hari is Ananta, then fourteen knots may be deemed to symbolize the fourteen worlds created by Hari.

Hemādri (on vrata vol. II pp 26-36) has an elaborate description of Anantavrata together with the story of Kaundinya and his wife Sīlā told by Kṛṣṇa to Yudhisthira. Kṛṣṇa states that Ananta is one of his forms and identifies himself with kāla (Time) that is called Ananta. Ananta should be worshipped with the upacāras of sandalwood paste, incense, flowers, naivedya.

In front of (the image of) Ananta should be placed a doraka dyed with saffron and having fourteen knotṣ The mantra (quoted in note) should be recited and the doraka should be tied on one’s arm, one should then dine with an easy mind after contemplating on Nārāyaṇa as Ananta. In the story it is narrated how because the husband Kaundinya from youthful rashness and pride cut out the Ananta thread tied round his wife’s hand he lost everything, then repented and was taken into favour by Ananta. The V. K. K. (pp 324-339) describes at great length the procedure of Anantapūjā together with stories takeṇ from the Bhavisyottara, and the Tithitatıva also (p. 123) quotes portions from the Bhavisyottara The Kalanırnaya (p. 279) expressly states that the Anantavrata is described in the Bhavisyottara and discusses a few verses therefroṃ The Vratārka (folio 277a-285a) describes this vrata at great length. Briefly it is this: first sankalpa, then making a sarvato-bhadra mandala and placing a jar thereon, on which is placed a naga with seven hoods made of darbhas and in front of it a doraka with 14 knots, worshipping the doraka on the jar with 16 upacāras with the Purusasūkta (Rg. X. 90) and Paurānika mantras; 14 devatās of the knots from Viṣṇu to Vasus are invoked, then there is worship of the limbs from the feet upwards in such mantras as 'Anantāya namah pādau pūjayāmi,' then a handful of flowers with the mantras of Viṣṇu, prayer to Ananta, tying the doraka with a mantra, casting away the old doraka after offering it worship. Salt is forbidden in this vrata. It was20 believed that if this vrata was performed for fourteen years, one reached the world of Viṣṇu.

There is a variance in the views of eminent writers about the exact time and the tithi for the vrata when 14th is mixed with other tithis (13th or Paurnimā). Madhava21 holds that mid-day is not the karmakāla in this vrata, but that tithi which exists at sunrise for three muhūrtas is the most suitable one for Ananta-vrata. The Nirnayasindhu holds22 that Madhava was mistaken because he relied for his decision on a general rule that the principal tithi to be accepted is the one that covers mid-day, that the Anantavrata is not mentioned in other purāṇas and also in other digests and that the passages of the Bhavisya and Skanda quoted by others are baseless and unauthoritative.

There are even in these days many persons who engage in the Anantacaturdaśī-vrata, but their numbers are rapidly diminishing.